Fabriano Sketch Paper

                                      (C) 2025 Photograph Dale DiMauro

Every artist has there own preferences but I like this sketchbook paper. I happened upon it by accident as my local sources for paper do not stock this paper. This sketchbook was purchased in Maine while traveling.

This paper is Fabriano 1264 which is made in Italy. Fabriano started making paper in 1264 and thus is the oldest European paper mill.

I prefer sketchbook paper that doesn't tear so easily yet will hold up particularly when using the larger sizes. Recently, I began using the 18" x 24" books to encourage me to draw the human figure and landscapes at a larger scale.

                                                                                 (C) 2025 Dale DiMauro

After several interruptions it is always great to get back to watercolor painting. Simply dragging paint across the paper releases emotions and begins to establish new associations within the color spectrum.

For some time I have been trying to transition to a larger format - that is a full sheet. I have painted many full sheets but to be able to paint at that scale as readily as at a much smaller sheet will be a turning point for me.

However, to paint at that larger scale requires more pools of paint, drawing at a more accurate scale and a portability which is quite different from working on a small watercolor block. Regardless, I think I am transitioning to that scale as time goes on.

Recently, I saw some Andrew Wyeth full sheet watercolors in person and could gain a sense of what direction I might carry a painting at this larger scale. One thing is you don't have to fill the whole paper with paint. Another salient point is that over time and practice the compositions one develops are transferable regardless of scale which enables an artist to become more intuitive.

In conclusion, I am not trying to bore the viewer but put down some thoughts at this moment to carry the painting process forward......

Last Night's Plein Air

                                                                                    (C) 2025 Dale DiMauro

Last night my wife & I caught a production of Shakespeare's As You Like It, in a local park. It was a lovely evening to paint outside with great light, rich colors and an impressive audience.

I tried a different approach to this watercolor. Pigment was lifted as I was painting the sky in with a brush. Then I put down a wash of green as a backdrop for the trees. Then I painted the trees and trunks over that wash. This made the trees simpler to paint yet provided more depth.

Capturing the undulating ground with a shadow was a nice feature in this watercolor. Overall I like how this picture turned out particularly as most of this painting was created while sitting on the ground.

In conclusion, there were people watching me paint the whole duration of making this picture. However, I expect that in public places. When painting outside the public usually feels entitled to see what you are doing and offer comments and reactions or even try to push you out of the way.

 

Great Setting Light

                                                                                  (C) 2025 Dale DiMauro
 

Last night I caught a small concert on the Brattleboro(VT) Common. It included a trio of seasoned musicians playing a whole range of the American songbook. One of the musicians was Kevin Parry who has hosted numerous open mic's in the region. 

While attending this concert I noticed the amazing setting light in the background which lit up the landscape in ways I have never experienced before.

The warm glow lit up the tree trunks with a lavender hue while the foreground in the light had a pastel-quality to it. Even the distant hills had a misty blue, yet surreal characteristic to them. The above photograph does not pay justice to the experience which ultimately, in my eyes, overshadowed the concert.

July 4th Inspiration

                                                                                 (C) 2025 Dale DiMauro

Oh - the fourth of July - what a holiday of traditions. Independence day and all that. For some the beginning of summer. Parades, marches, picnics and fireworks. In this time we are living in - we take our freedoms for granted!

I love this little watercolor painted fast with zero hesitation and no fussing about. After all it was the fourth of July and you could hear fireworks in the distance and see them up close temporarily decorating the sky.

For me watercolor is the only medium where you can capture the smoke and other atmospheric qualities of the lit torch at the end of this guy's hand.

This was painted from memory but still lives on with great clarity in my mind.

Imaginary Landscape

                                                                                (C) 2025 Dale DiMauro
 

On Thursday, July 4 I was irritated with the national news and painted this scene in a decidedly fast manner. I wanted to express some of that aggression in a powerful, yet expressive way.

When painting this watercolor I tried a few different techniques. I painted a very wet sky and dropped in pigment right up until the paper dried. The spray bottle was utilized right into the end.

Ultramarine blue is a transparent color which means I can lift the pigment pretty readily. So I lifted this blue from the body of water and got these whitish streaks which gives the surface a reflective-quality.

Last, I painted the dark evergreens in the immediate foreground to thrust the viewer right into the picture. Sort of implying that the future is now.

It always feels good to mix up your painting approach and try something new. I learn the most when I challenge myself. Most days I learn something about watercolor that I didn't know before. On other days I learn a whole lot about the medium or at least challenge my perception of things going on around me.

Living Memorial Park

                                                                                              (C) 2025 Dale DiMauro

Last week my wife and I went to Shakespeare in the Park, at Living Memorial Park in Brattleboro, VT. It felt great to do a summer activity after months of work. It has been a stressful spring like no other, including being selected for jury duty at my busiest time of the year.

This was painted while watching A Midsummer Night's Dream being performed before us. I kept looking at the distant hills as the night wore on and thought I ought to try to capture that scene over there.

It may look like something you may find along the coast or at a mountain top but nevertheless, I like the finished product. The sky was painted very freely and has an expressive- quality to it. I used an atomizer to encourage the colors to run into each other. As the sky dried I added more pigment and lifted out streaks in the sky which may not be visible in this photograph.

The middle and foreground was painted very wet, too. Perhaps, too much as the gray colors bled into each other. I think the darker patches are great as they add a bold stroke to the picture and give a sense of the contours to the distant hill. I lost the distant trees as they dissolved upon drying into the massive rock.