Sunday, January 8, 2023

Light on the Landsape

                                                           (C)2023 Photograph Dale DiMauro
 

On my late afternoon walk I became impressed with the quality of the light that shone across the landscape. Lately, at least here in southern Vermont, we have had minimal sun and a damp ground with mild temperatures.

We got some snow during the day Friday, which helped to firm up the ground particularly during the evening hours. During today's walk the fresh snow brightened up my perspective and the late day glow was something I have been missing with the absence of any real snow accumulation.

Certain earth colors like the ochres, reds and browns, not to mention the blues were delightful to see. In this era of climate change you really don't know what the winter will be like and how to plan for it. So I try to get outside and appreciate whatever the natural world gives us when out in the elements.

This photograph is very busy due to all the brush. Deciding what to keep and what to remove is crucial in planning a composition. I like the small wooden sign post as well as the disappearing path. The shock of blue-white snow is also appealing and emphasizes the coolness of the shade while echoing the blue sky above. The streaks of light and dark in the foreground clarify the direction of the sun as it lowers early on this winter afternoon.  

Wednesday, January 4, 2023

RETREAT MEADOWS II

                                         (C) 2023 Dale DiMauro
 

My, how the weather has changed within the last week. The week between Christmas and New Years we had Winter-like weather here in Vermont. As I mentioned in the last post, the Retreat Meadows was a glorious place to skate and play hockey. 

Now it has a pool of water on it and the Brattleboro Fire Department is prohibiting anyone from going on the surface.

In the meantime, I added some touches of watercolor to the painting from my last post. The tall reeds are such a strong part of the composition and experience. I gave them a little more attention and painted a wash over the ice to give that more weight and depth.

Sunday, January 1, 2023

RETREAT MEADOWS(Brattleboro, VT)

                                                                                       (C) 2023 Dale DiMauro
 

Skating on the Retreat Meadows, in Brattleboro, VT, right after Christmas, was such a delight. At mid-day, in the sun, the Retreat Meadows became such a community center. All kinds of people came out to skate, play hockey, ice fish and walk across the ice, some even in sleighs. Also, at least for me, experiencing the landscape with such a different perspective was magical.

This outdoor winter experience inspired me to paint this watercolor. I had never painted ice before in watercolor. Is ice in watercolor transparent or opaque or both? What color would you actually paint the ice? These are questions that came to mind.

Wherever I went the ice was the foreground(not the greens of the ground) of the landscape with many ochres and umbers in the distance. Ultimately, the sky and foreground have blue in them but not the blues of bodies of water.


Wednesday, December 28, 2022

BIG TREE

                                                                                       (C) 2022 Dale DiMauro


Prior to Christmas I purchased a used book, called Color in Watercolor, by Wendon Blake, for four dollars at our local used bookstore. This book inspired this watercolor. 

It suggest's underpainting a big tree with a mixture of burnt sienna/ultramarine blue and a touch of cadmium red. Then painting over this wash with a combination of burnt sienna and phthalocyanine blue which conveys the dark branching.

I added the green horizontal ground plane to make the tree rooted in and of the landscape. After painting this I realized I love the graphic quality of this tree. I have begun to think the larger I paint this subject the more impactful it will be.

It was painted with a freedom of expression that I find quite rewarding. It was painted on Arches watercolor paper which is one of my favorite papers to paint on.

Sunday, December 25, 2022

MERRY CHRISTMAS

                                                                                     (C) 2022 Dale DiMauro
 

Merry Christmas to all!

As in some previous posts I mentioned how I like to observe the light patterns and colorations of some of the local fields in the Brattleboro, VT area. Well, this is one of the fields along the West River Trail.

It felt good to paint this watercolor in one sitting. I seem to be introducing more orange into my watercolors when necessary. You can see it in the left foreground. That warmth seems to balance out the cools in this composition.

The foreground has a weaved layer of a cool green generated from the combination of quinacridone gold and cobalt blue.


Wednesday, December 21, 2022

WATERCOLOR STUDY

                                                                           (C) 2022 Dale DiMauro
 

Sometimes a watercolor study speaks volumes. An intuitive note, quickly put down, without any hesitation, one can build upon. At least that is what led to this image.

Usually I sample a color mixture to see if it is what I am aiming for. In the process I turn the wet pigment into a landscape. This way the color mixture does not sit simply on it's own.

The above tree massing color is the combination of raw sienna and Windsor violet. I have learned it is important in some way, to reference the shoreline in this case, with that horizontal section devoid of paint.

Sunday, December 18, 2022

Watercolor Sketch

                                                                                       (C) 2022 Dale DiMauro
 

Lately with all these winter-themed and Christmas-oriented tasks I have not had time to paint. So before I headed to bed I squeezed in time to paint an imaginary scene. With the snow and ice I am already looking forward to spring.

However, I am so glad we got snow to brighten up the landscape. For me the landscape seemed so dreary around 4 PM in the afternoon with the low light and setting sun.

I keep experimenting with this green made by mixing cobalt blue and quinacridone gold. It is useful in painting foliage, the ground and just about anywhere in the landscape.

Thursday, December 15, 2022

West River Trail

                                                                                       (C) 2022 Dale DiMauro
 

The West River Trail in Brattleboro, VT is a nice little path to get some fresh air and stretch your legs. I always bring my camera when I head out on the trail as there are many attractions along the way. Often you see some kind of paddlers along the way whether it's canoes or sculls in the summer season. I have seen all kinds of bird activity along the Connecticut River and even in the adjacent fields.

This watercolor was inspired by one of the fields you pass along the way. It is interesting to observe the seasonal change in these fields. Some months of the year it becomes a wide open field with all the growth cut down and then it fills in over the summer with eight foot high corn.

I like the distant hills with the changing of the light and ever-changing color patterns.

Sunday, December 11, 2022

SKETCHBOOK DRAWING

                                                                                   (C) 2022 Dale DiMauro
 

Drawing in my sketchbook is a truly meaningful activity. It is difficult to maintain as a daily routine, over the summer months, but whenever I can, sketching is important. I see improvement every time I draw and it makes me a much better painter. Over time I can see I am getting better at capturing the human form.

I prefer to draw in the largest sketchbook, that I can find, that is practical. This forces me to draw as large as I can. The little notepad to the right I carry around with me at work to record ideas or sketch out little landscapes.

This above pencil sketch was done from a bust of a historical figure at my local library.

Wednesday, December 7, 2022

The Sky

                                                                                       (C) 2022 Dale DiMauro
 

The sky can be difficult to paint in watercolor. Particularly, if you venture away from painting a blue sky. However, the sky can truly set the mood for your painting. Yet there is so much variety in the world above the landscape.

Tweaking how I paint my sky's has been an added emphasis lately. In the late fall I noticed there is such variation in the clouds and the colors of the sky. In fact, this watercolor started out as a sky study with some of the subtle nuances of pigmentation that I have been seeing lately.

I am constantly experimenting with new color mixes in order to expand upon my palette. I discovered this lively, green just the other day. It consists of quinacridone gold and cobalt blue. Of course you can darken it with ultramarine blue or warm it with a yellow such as raw siena.


Sunday, December 4, 2022

Quick Watercolor Sketch

                                                                        (C) 2022 Dale DiMauro
 

Sometimes simple brush strokes is all that is necessary. Lately, I have been preparing the house and grounds for winter. As a result I have not painted as much.

However, I am eager to get back at it. I like the color combinations in this composition. In the tree I mixed yellow ochre with permanent brown and ultramarine blue. This is a warm brown which I really like. The wash in the foreground utilizes the same ultimate blue which has a warmth to it.

I think the brush strokes are important in this image. At times it is good to not fuss with the marks that your wash may leave. Those dry brush marks and erratic strokes when done well communicate much about the character of the tree trunk, for example. Also, the fluidity in watercolor can lend much beauty in your work, regardless of the subject matter.

Wednesday, November 30, 2022

Coastal Maine

                                                                                       (C) 2022 Dale DiMauro
 

Coastal Maine is such a strong experience in the psych of those who have experienced it. The smell of the ocean is so intoxicating, particularly if you have been away for some period of time. The visual and emotional associations we carry with us in our daily lives.

Recently, I was sorting through volumes of pictures I have held onto for some time when I came upon this image. The composition and simple earth colors stopped me in my tracks. Thus, I set this photograph aside and did a little watercolor inspired from this earlier this afternoon.

The ribbon of blue which is the ocean just seems to run off the page. Also, part of the spit of land projecting out in to the water disappears into the distant fog.

Sunday, November 27, 2022

My Plein Air Palette

                                                                                       (C) 2022 Dale DiMauro
 

Well, it is about time I introduced you to my plein air palette. Since the cold weather makes it more difficult to paint outside I miss using it.

As you can see it has four wells that fold out and nearly doubles the size of it's closed dimensions. Basically, I put the cool pigments(blues & greens) on the right side and the warm colors(reds & yellows) on the left side. I try not to put pigment on the end panels as they are flat and it requires more surfaces to clean.

When I am done painting on location I close the end panels and carry it in my hand to either my car or home and then clean it at home. By then I find the pigments have dried and I avoid making a mess if I put it in my painting bag. For me the most important area to clean is the hinges which can accumulate paint and the upper areas around the wells.

This palette has sixteen wells which hold pigment. One of the things I like most about this palette is that it has deep wells. I fill the wells with Holbein paint from the their pigment tubes.

I have learned to embrace and depend on this palette as painting outside can be a challenge. I like that I can paint standing up or sit down and even rest this palette on my thigh.

Thursday, November 24, 2022

Brattleboro Common




                                                                        (C) 2022 Dale DiMauro

For most of the year, the Brattleboro Common is a lovely spot to hang out. In particular, I like the quality of the trees and the picnic tables. I have painted here many times in all kinds of weather. I seem to notice something different every time I am at the Common. 

Since summer I have been meaning to paint the statue on the war memorial. There is something about this figure and it's location that has captured my imagination. Maybe it's the updated plaque by the memorial - I don't know.

For me this watercolor captures some of the characteristics I think of when I think of the Brattleboro Common. The edge of meandering trees is special with the additional specimen trees scattered about the space. Also, the ribbon of a path is inviting.

Sunday, November 20, 2022

BROWN in the Landscape

                                                                                     (C) 2022 Dale DiMauro
 

More browns are entering my watercolors which I think is a good thing. In some cases browns may dull the image but they are such a natural element in the landscape. We see browns in the coloration of beaches, the bottom of rivers and in the meandering flow of things. Particularly, with the combination of greens we see such a natural or organic quality.

Yellow ochre and burnt umber makes a lively, smooth, warm brown. Cadmium red with permanent sap green and winsor violet makes a truly mud brown pigment. These pigmentations make me think of spring or summer.

I painted this watercolor on a rough scrap of watercolor paper. I don't think I have ever painted a watercolor which seemed to come out so dark. Or is it that the photograph is so dark. Anyway, I like the ribbon of a path criss-crossing in the foreground.

Wednesday, November 16, 2022

Hooker's Green

                                                                             C) 2022 Dale DiMauro
 

Hooker's green is not a pigment I have used in some time. However, I read recently, how useful it is in making a greater range of greens. Since then I have put a dollup on my palette to experiment with.

As you can see in the above photograph, hooker's green adds a cool temperature to your watercolor painting. Here, I have added burnt sienna to hookers green. It has been said that hooker's green has the pigmentation of apple leaves.

Many pigments right out of the tube seem flat and unexciting. Hooker's green I definitely would concur is one of those pigments best when used in mixes with other pigments.

Sunday, November 13, 2022

Stretcher Board

                                        (C) 2022 Dale DiMauro

Recently, I started a painting on a full sheet of watercolor paper. Now that I am primarily painting inside, it seemed like the time had come to paint big. It is not that I haven't painted large because I have, but there are certain issues you need to contend with at the increased scale. One is the sheet takes up most of my desk and the palette seems to get in the way.

Actually, I was eager to paint large since I got this stretcher board for my birthday, in April. I am impressed that the paper(140lb) remains as tight as a drum even when the paper is wet. I am comfortable stretching smaller sizes when needed, but it is frustrating to have watercolor paper buckle on me, particularly with the the larger sizes.

This paper stretcher is marketed as the KEBAartmate. For me it is an aid in getting me to paint larger watercolors on a more frequent basis.

Wednesday, November 9, 2022

A New Brown to Explore

                                                                                      (C) 2022 Dale DiMauro
 

Recently, I discovered a new lovely brown. For some time I have been searching for a rich, lively brown and finally I have arrived at one. When yellow ochre is mixed with burnt umber it creates this soft brown.

As you can see in the above photograph(of a watercolor) this brown has the color of beach sand. It certainly can be tweaked by making it cooler with an ultramarine blue or warming it up with a yellow or red, if needed.

When I learn of a new color combination I get real exited because I can begin to experiment with other colors on my palette, with a fresh approach. This begins to change how I view and thus paint the landscape.

Sunday, November 6, 2022

Higgins Beach(Maine)

                                                                                       (C) 2022 Dale DiMauro
 

Painting the sky can be a real challenge. It is the first area I focus on when starting a watercolor. For me the real challenge is not so much the sky as painting clouds in the sky. With a little more practice I believe I am progressing.

Last summer while in Maine my wife and I experienced stunning sunsets on a daily basis. It was incredible to see the sunset across the ocean but when we turned around the estuary would be just as stunning. And this is the largest estuary in Maine, not far from Winslow Homer's residence in Prout's Neck.

Also, painting the sunset pushes my palette farther than I would normally pursue. That brilliant orange you see along the horizon is a combination of quinacridone gold and cadmium red.

Wednesday, November 2, 2022

Fall Foliage

                                                                           (C) 2022 Dale DiMauro
 

It really warmed up this afternoon. It was nearly seventy degrees in Brattleboro, VT. It definitely didn't feel like November. However, the sun and natural light was great.

This pleasant weather inspired me to get outside and squeeze in some plein air painting. I noticed a lot of oranges and russet colors today. I painted this at a picnic table at Fort Dummer Park. 

A few touches done in the studio will finish off this picture. There ended up to be too much repetition on the left side of this picture. All the trees and limbs seem to be of a similar size and the coloration is monotonous. I will add in some larger tree trunks and pockets of stronger color. 

I missed much of the peak foliage this season, as I have been recovering from COVID-19.