Living Memorial Park

                                                                            (C) 2021 Dale DiMauro
 

Today's painting is of Living Memorial Park, which I painted this evening. It felt great to get back to painting after spending much time preparing my house and property for this coming winter. 

My timing was great as winter feels like it has begun to move in. Most of the raking, organizing the garage and cleaning the gutters of leaves has been done.

During COVID-19 I have visited Living Memorial Park many, many times. Over the course of these visits I have come to appreciate the changing light across the fields and hills of the park. The other thing I look forward to are the views across the park and into the distant hills.

Large Brush Practice

                                         (C) 2021 Dale DiMauro

 

Recently, I have started doing large brush exercises before digging into the painting I am working on. I can see how the pools of pigment bleed into each other on the paper. Naturally, this involves preparing greater quantities of pigment.

However, this is a very satisfying activity. I can always go back and do more if I want but it makes me more sure in my strokes, with less fussing about. Also, I use an inexpensive watercolor pad, so there is no loss if a picture doesn't work out.

I will see where this takes me but I appreciate the increased scale and boldness of my approach. There are so many ways one can work on developing their watercolor skills and this is just my current approach.

Memories of Maine

                                                                                     (C) 2021 Dale DiMauro
 

It felt good to get back to painting. After a weekend in Maine your perspective changes a bit. In general, I don't have much recollection of fall in Maine, but I found the colors of the foliage to be rich and striking, nonetheless.

Maine over the last two summers seems to have become a negative experience for me, due in part to the pandemic and hordes of people and uncertain accommodations. However, it is always a delight to smell the ocean no matter what time of year and see the activity that it attracts.

This watercolor is a collage of those associations of Maine that I bring home with me.

Landscape Doodle

                                                                                       (C) 2021 Dale DiMauro
 

It always feels good to put paint to paper. Even if time is limited. You can always come back and add more to what you started. I learn so much about the pigments the more I use them.

My most recent color exploration is combining cadmium red with turquoise(or any blue green). Depending on the proportions you come up with, a warm or grayish blue sky, or both.

I read where Charles Reid(a noted watercolor painter, author of: Watercolor Basics) suggested during idle hours painting swatches to develop greater understanding of colors and learning how to mix paint on the paper.

Just putting something down on paper keeps the mind sharp and the hand loose. Continuity is important.

Woodstock, Vermont

                                                                                       (C) 2021 Dale DiMauro
 

This summer I had the opportunity to walk the carriage roads and foot paths of the March-Billings-Rockefeller National Historic Park, in Woodstock, VT. There are such lovely vista's with open meadows and large trees which are hard to find these days.

Since I was away part of this week, my painting was limited. I fit in this watercolor earlier this evening. This view is from one of those carriage roads with a rather dramatic drop in the grade across the meadow to the distant hills.

There is always much to be learned in painting the landscape as well as interpreting what is seen.

Eldridge Hardie(1940-2021)

Eldridge Hardie(1940 -2021) painted sporting art in a similiar vein as Winslow Homer and Ogden Pleissner. He loved fishing, hunting and making art. He lived a good chunk of his adult years in Colorado.

I have had a used book on his art for years called: The Paintings of Eldridge Hardie: Art of A Life In Sport. I pulled it out of my bookshelf the other day. I had forgotten how much I appreciated his watercolors.

The colors in his watercolors remind of this time of year with the changing of the seasons and the vibrant fall foliage.

Above, I copied a detail from his painting: New Brunswick: September 30, 1994, both as a study of his approach and expressive brushwork. I find it hard to find figures in the landscape(who aren't moving all the time) yet I love some of the spatial qualities of the natural landscape here in Vermont.
 

Bookmark Anyone?

                                                              (C) 2021 Dale DiMauro
 

Any size painting can lead to a lovely watercolor. This odd-size painting was done in less than half an hour. I used only two pigments in creating this picture - ultramarine blue and quinacridone red.

The gradual blending of pigments often yields positive results. In addition, recently, I have rediscovered the importance of not covering the whole page with pigment. The white of the paper is beautiful in it's own right with it's texture and all. However, up against the white of the paper, any pigment has an expressive vibrancy unlike any other medium.

It is easy to overwork a watercolor and when that happens much of the freshness or even directness is lost. 

River's Edge

                                                                                       (C) 2021 Dale DiMauro
 

Since late summer I have been experimenting with the three primary colors: red, blue and yellow. This is the product of one of my more recent experiments. I love the rich, fluid blending of colors. In particular, I like the darks which add so much to a watercolor painting.

The pigments used in this watercolor are: yellow ochre/permanent brown/ultramarine blue. I find the absence of color(the white of the paper) compelling when edged by darks. Also, this scenario seems to add depth to the landscape on the paper.

This was painted in an inexpensive watercolor book with 80# paper. It is very smooth paper. It simply shows - that it is important to paint on as many surfaces as you can so as to be flexible or adaptive in your painting approach.

Black & Blue

                                                                                       (C) 2021 Dale DiMauro
 

For some time, in the evening, when watching television with my wife, I have some post-it notes on hand. Often I ponder what color I will get when mixing certain colors in my mind. I then write down these color combinations so I can try them out later. 

This dark blue - black is the product of one of those evenings watching television. In watercolor, as many of you know, it is hard to find a rich dark approaching black. Most tube blacks are dull and uninteresting out of the tube. In contrast, however, when pigments are combined they usually become rich and lively.

When I mixed this combination of yellow ochre/permanent brown and ultramarine blue the whole sheet of paper came to life. I started applying this mixture in other watercolor paintings and became totally inspired.

Basically, the combination of yellow ochre/permanent brown and ultramarine blue are a variation of the three primary colors: yellow, red and blue. There are so many combinations of these primary colors for artists to explore that it is overwhelming. However, I find it rewarding to experiment along the way and increase my knowledge so that later on I can draw upon this in my painting.

Today's Plein Air

                                                                           (C) 2021 Dale DiMauro
 

It turned out to be such a beautiful day after many days of rain. As a result, it was great to get outside and fit in some watercolor painting.

This picture was done at the Brattleboro Common, which has a service road that can look at times like a dirt path. Many people were taking advantage of the services the park provides today.

Overall, it was a pleasant painting experience. However, after the watercolor dried and I had stepped back some, I noticed the lack of variety in the spacing and size of the trees in the background. Other than that I have no complaints.

I did use a Winsor Newton watercolor block. All summer long I have been painting on Arches but I am fine with either painting surface.

The Retreat Meadows

                                                                             C) 2021 Dale DiMauro

My wife and I attended one of these Thursday evening food roundups late in the summer, down by the Retreat Meadows. We couldn't believe the number of people in attendance nor the length of the lines to each vendor.

What we did experience was this amazing sunset over the Retreat Meadows, which lit up the landscape in a most spectacular way. The glow across the distant hills and grasses in contrast to the shadows across the water was striking.

This experience became the inspiration for this watercolor, which I soon started. Also, I was struck by the dark foliage which framed the view on the top of the painting. 

With peak foliage upcoming I am sure to view this area much differently than the grungy-feel of the earlier summer milfoil season.

USING DARKS

                                                                                       (C) 2021 Dale DiMauro

Many artists complain their colors appear bleached or lack strength. Thus, they do not get greater depth in their paintings.

I have certainly complained when my watercolors lack life. Over time I learned to combine dark umber and ultramarine when I want a warm dark. After time experimenting with this combination I can say this dark has transformed my painting. 

In almost every painting I drop in this color combination, whether it is at the foot of a woodland edge, the trunk of a tree or the edge of the lawn etc. 

Nevertheless, I am often searching for other darks to utilize in my painting. This purplish color above is the result of combining ultramarine blue/alizarin crimson and burnt siena. The jury is still out on this dark but I embrace the variety of options for when the right opportunity presents itself.

Color Swatches

                                                                            (C) 2021 Dale DiMauro
 

If I have less than an hour of idle time I often make color swatches. There seems to be an endless number of pigments one can combine on a sheet of paper. However, over time I believe I have learned much about the characteristics of certain pigments.

Along the way one learns how the pigment reacts to certain paper or dries in a particular way. For example, Payne's gray, in general, dries much lighter than the value you see when it is wet.

Often, I paint little landscapes over the initial washes as time allows. This includes a wide range of colors for the sky as it is here that sets the mood for the image. In particular, I like it when the sky develops a mottled appearance, with variation, from the settling pigments.

Groton State Park

                                                                           (C) 2021 Dale DiMauro
 

Last summer, by accident, my wife and I discovered Groton State Forest, east of Montpelier, VT. This forest totals 26,164 acres with seven state parks, eight lakes and ponds and a nature center. The civilian conservative corps was critical in developing the area - constructing roads, trails, picnic shelters and planting trees.

Due to Covid-19, last year, we drove inland away from the coast(and populated areas) on our way back from Maine. This summer we re-visited Montpelier, Vt which has the smallest capital of any state in the United States. We made a day trip to hike in the Groton State Forest in July.

This watercolor was inspired from that experience. As the picture shows, there is a great uninterrupted expanse of forest with zero development to the horizon. You really feel like you may run into some form of wildlife you have not seen before or rarely see when hiking on these trails.

Abstract Wash

                                                                                 C)2021 Dale DiMauro

Watercolor painting seems to largely involve applying washes of color while developing soft and hard edges. How you articulate these edges you paint is really descriptive of your subject matter and reflect your signature style at the same time.

The quinacridone violet I used here reminds me of a visit to the mall, in Washington DC, in the spring, when the cherry trees are in bloom. We carry these strong color associations with us throughout our lives.

The hard edges in this image guide your eye through the landscape which I find fascinating. My parting wisdom is that it is always rewarding to play with color to see where it will take you.

 

Along the West River(Brattleboro, VT)

(C) 2021 Dale DiMauro

 

Recently, someone added benches along the West River Trail in Brattleboro, VT. They are sited to take advantage of lovely vista's up or across the river. It even appears that someone cut back the brush in some areas to expand the views.

This was painted from one of those benches. However, it started raining once I set-up my plein equipment. One result was a bunch of watermarks and brown blemishes, on the paper, once dry. So I came back a week later and carried on. 

This picture has an English feel to it with muted colors and diffused light. I feel that all that is necessary is to add some finishing touches. The unpainted figure is a man paddling his red canoe which happened right before my eyes.

63rd Annual Art in the Park

                                                                            (C) Photograph Dale DiMauro
 

On Saturday, September 4, 2021, my wife and I attended Keene, NH's annual Art in the Park. It was a beautiful sunny day and many people were out. As a matter of fact, I couldn't believe how many people  visited the park. 

I had been to Keene, NH twice in the last two years and one of the times was to have a colonoscopy. So I didn't know what to expect of our visit. However, we ran into many people we knew at the festival, including some who were vendors.

With the ongoing Covid-19 pandemic, it was unclear, at least back in the spring, whether they would even have Art-in-the Park this year. Well it was a hit this year even though on the closing Sunday, the last day of the event, the weather was not nearly as nice.

Latest Plein Air

                                                                   (C) 2021 Dale DiMauro
 

We have had such beautiful weather, lately, that I have been making a strong emphasis of painting outside, when possible. Recently, late day has been my preference for painting outside.

I painted this picture prior to dinner on Sunday. It evolved rapidly, as I wasn't sure what direction I wanted to go as far as subject matter was concerned. This picture was completed in one sitting, all outside.

This watercolor has a unique perspective which drew me to the subject. There is a lot of elements in this picture with a sense of an elongated depth, which the light dramatically reveals.

Painting outside educates me in more ways than one. Also, I find it is important to use my time wisely. Finally, the experience makes me truly see things as they are  - whether it is the colors of nature or the lay of the land.

Plein Air

                                                                                      (C) 2021 Dale DiMauro

This plein air was painted entirely outside last week on a lovely afternoon. It was painted very much in the spur of the moment. I am sure it is a quirky little picture and that may be why I like it. After I started this watercolor I was swarmed by kids - as this area was where they waited for their rides home from school.

When I go plein air painting there usually is a location in mind with an understanding of where the natural light might fall. In this case I found the lay of the land appealing and this shed full of character with some boards tacked on in a rather random manner.

The warmth of light and how the trees in the background came out were quite satisfying as I progressed through this picture.

Plein Air Painting

                                                                            (C) 2021 Dale DiMauro
 

The sun finally broke out yesterday afternoon, so I got an hour in, on this plein air painting. Little did I know that a sizeable bullfrog was with me at the base of this wall. He or she must have been at least six inches in length. It was simply bathing in the afternoon sun. No matter what noise I made or how close I got it would not budge the whole time I was there.

This watercolor is directly the result of painting what I saw in from of me, minus some extraneous stuff. I like the abstract qualities of the elements in this landscape. Before long the sun had become strong and I could sense a quality of fall rapidly approaching.

Lately, I have seen a great heron frequenting a log in the water as it hunts for a meal. It is quite a site with it's long angular wings tucked in by it's side.